Title: Director David Gordon Green to Helm The Exorcist Sequel Trilogy, Highlighting Universal Themes of Faith and Unity
In an unexpected turn of events, renowned filmmaker David Gordon Green was enticed by Jason Blum to embark on a new project: a sequel trilogy for the cult classic horror film, The Exorcist. Despite initially planning to explore different avenues in his career post the Halloween sequel trilogy, Green couldn’t resist the allure of breathing new life into The Exorcist franchise.
Universal Studios and Peacock were swift to secure the rights to The Exorcist franchise, investing a staggering $400 million. Green’s vision for the Exorcist sequel trilogy zeroes in on the parents of two possessed teenage girls, as they fervently seek help from Chris MacNeil, portrayed by the iconic Ellen Burstyn from the original 1973 film.
With the first installment, The Exorcist: Believer, Green showcases his distinctive storytelling prowess. The film, however, received mixed reviews from critics. Despite this, industry insiders project a solid opening weekend with potential earnings of up to $30 million.
Amidst the buzz surrounding the release, Green contemplates changing the film’s distribution date to avoid conflicting with Taylor Swift’s concert film launch. Additionally, he sheds light on his collaboration with Ellen Burstyn, emphasizing the film’s universal themes of faith and unity.
Green’s creative process is marked by adaptability and an openness to evolving plans as he discusses his flexible approach to filmmaking. Uncertain about directing all three films in the Exorcist sequel trilogy, he continues to explore the boundaries of his craft.
Regrettably, Green did not have the opportunity to invite the late William Friedkin, the original director of The Exorcist, to a screening of his sequel. Friedkin had voiced skepticism about continuing the franchise, leaving Green disappointed about not being able to share his finished creation with the visionary director.
During the interview, Green delves into his close friendship with Burstyn, even mentioning their fondness for the occasional tea party. He also touches upon a memorable scene in the film that took Burstyn by surprise during his pitch, highlighting the chemistry and creative synergy between the two.
While the possibility of another Halloween film briefly arises, Green admits not having dwelled on the matter, expressing a genuine curiosity to see how others will take the franchise forward. The conversation concludes with Green praising Jeff Nichols’ upcoming film, The Bikeriders, offering an enthusiastic review.
As David Gordon Green forges ahead with The Exorcist sequel trilogy, fans eagerly anticipate the continuation and evolution of this iconic horror franchise. With his trademark ingenuity and openness to new ideas, Green promises a haunting and captivating cinematic experience that will leave audiences spellbound.
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